This book began with an uncomfortable observation. Across the design studios, planning offices and engineering consultancies of India there is an enormous quantity of original creative work, and almost none of it is protected. A façade panel is detailed, prototyped, mocked up on site and installed. A modular street-vending kiosk is designed for a municipal corporation, fabricated in a workshop and rolled out across forty locations. A water-harvesting chamber is redesigned so that it can be cast in two pieces instead of four. Each of these is, in the ordinary statutory sense, a design a new shape or configuration applied to an article by an industrial process, judged solely by the eye. Each is capable of registration. Almost none of them are registered.
The reason is rarely
indifference. In our teaching and in our professional practice we have found
that architects, planners and engineers are intensely protective of their work
in an emotional sense and entirely unprotective of it in a legal sense. They will
argue for hours about whether a competitor copied a roofline. They will not
spend one thousand rupees and two afternoons filing the form that would have
made the argument winnable. The gap is not one of will. It is a gap of
vocabulary, of procedure, and of confidence.
This book is written to close
that gap. It is not a treatise on intellectual property law, and it is not
written for lawyers. It is written for the professional who has a drawing on
the screen and a question in the back of the mind: is there anything here
worth protecting, and if so, what do I actually do on Monday morning? Every
chapter is organised around that question. Where the law matters, we state it
plainly and cite the statute or the official portal. Where the law is
unsettled, we say so rather than pretending to a certainty the field does not
possess. Where the practical answer differs from the theoretical answer — and
in intellectual property it very often does we give the practical answer
first.
Three commitments shape the text.
The first is that design protection belongs inside the design process, not
after it. A registration strategy invented at the end of a project is usually a
strategy for discovering that novelty was destroyed eighteen months earlier by
a competition entry. The second is that the unit of protection is the article,
not the building, the plan or the scheme. This single idea, developed at length
in Chapters 5 and 6, resolves most of the confusion that surrounds design
rights in the built-environment professions. The third is that intellectual
property is a portfolio discipline. One registration is a curiosity; a family
of related registrations, renewed on schedule and mapped to a manufacturing
partner, is an asset that appears on a balance sheet.
The evidence base for the book is
drawn from three sources. The first is the scholarly literature on intellectual
property in India, assembled here as a corpus of peer-reviewed articles and
book chapters published between 2016 and 2026 and analysed in Chapter 1. The
second is the body of official Indian material the statutes, the rules, the
forms, the fee schedules, the annual reports of the Office of the Controller
General of Patents, Designs and Trade Marks, and the policy documents of the
Department for Promotion of Industry and Internal Trade. The third is our own
experience of teaching design and planning students, supervising theses that
produced registrable outputs, and watching those outputs go unprotected.
A word on what this book is not.
It is not legal advice, and nothing in it creates a professional relationship
between the authors and the reader. Intellectual property decisions carry
commercial consequences, and a you should consult a registered patent or design agentefore filing in any matter of significance. Statutory provisions,
fee schedules and procedural timelines change; every figure quoted here should
be verified against the current text on the official portal before it is relied
upon. We have given the portal addresses throughout precisely so that the
reader can perform that check.
We hope the book is useful in
three settings: on the desk of a practising architect, planner or engineer; in
the hands of a research scholar preparing to publish work that may also be
registrable; and in the classroom, where a generation of students is still
being taught to design without being taught that a design is property.
Book Details
Book Title: A Practical Guide to Intellectual Property for Architects, Planners and Engineers
Authors: EduPub, New Delhi
Publisher: Dr Prashanti Rao & Shashikant Nishant Sharma
Year of Publication: 2026
ISBN: 978-93-92585-05-0
DOI: Under process
Link to Buy Print Book: will be updated soon.



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